Turn a raster logo into editable vector paths.
Trace brand marks, wordmarks, and monograms into real SVG paths. Upload whatever format the logo arrived in, keep the palette tight, and export the whole set at once.
Image contents are processed temporarily and discarded after conversion.
Add JPG, PNG, WebP, AVIF, or ICO images and control the result.
Drop or choose up to 10 images.
Converted files
Converted images will appear here.
How it works
How do you convert an image to SVG?
- 01
Start from the largest copy you have
Hunt down the biggest version of the mark before you upload — a print PDF export, an app icon, a header image at 2x. Every edge in the output is fitted to a pixel boundary in the source, so resolution is the one input you cannot make up later.
Rebuild a client logo that only survives as a signature-block JPG.
- 02
Set the palette to the brand, not the file
Count the colors the logo actually uses and add one for the background. Most marks land between 4 and 8. A tight palette is also what flattens the compression noise a JPG logo has picked up along its edges.
Convert a whole brand asset folder into SVGs for a design system.
- 03
Check it at 400%, then ship it
Zoom the preview well past display size and look at the curves and the counters inside letterforms. When those hold up, download the SVG — or the whole brand folder as a ZIP.
Prepare a mark as vector artwork for print, signage, or embroidery suppliers.
Format guide
Why convert a logo to SVG?
A logo is the one asset that has to work at every size a business ever uses: a 16-pixel favicon, a business card, a trade-show banner, an embroidered shirt. A raster logo cannot do that. It is fixed to the pixel grid it was exported at, so it either goes soft when enlarged or forces you to maintain a folder of exports at every size you might need.
SVG solves that with one file. It also does two things a PNG never can: the paths stay editable, so a designer can recolor or adjust the mark years later without redrawing it, and print suppliers can accept it directly instead of asking for "the vector file" you no longer have.
Tracing is what gets you there, and its limits are worth knowing before you start. Lettering is traced into outlines, not into live text — the shapes are editable, but you cannot retype them or change the typeface. Colors are sampled from the pixels, so they land close to your brand values rather than exactly on them; check them against the brand guide and correct the fills afterwards if the match matters. And nothing recovers detail the source never held: a 200-pixel-wide logo produces softer curves than a 1000-pixel one, no matter which settings you choose.
The practical upshot is that the source file decides most of the result. Find the largest, cleanest copy of the mark, keep the color count near the number of colors the design genuinely uses, and the traced output will usually be close enough to hand off. If you want the full method — preparing the source, cleaning up stray paths afterwards — the vectorizing a logo guide covers it step by step.
“SVG is a language for describing two-dimensional graphics in XML. SVG allows for three types of graphic objects: vector graphic shapes (e.g., paths consisting of straight lines and curves), images and text.”
W3C, Scalable Vector Graphics (SVG) 1.1, §1.1
Where can I read more?
The output is standard SVG markup, defined by the following public specifications and references:
Brand asset workflow
Made for marks that have to work at every size.
From a signature-block JPG to print-ready artwork: batch the brand folder, hold the palette to the colors the design actually uses, and check the curves before anything gets handed off.
Whole brand folders
Wordmarks, monograms, and icon variants convert together — 10 per free batch, 50 per paid — whatever format each one was saved in.
No original design file needed
Tracing works from the largest copy you can find. The AI, EPS, or Figma source is nice to have, not a prerequisite.
Editable paths for print
The output is resolution-independent vector artwork that signage, embroidery, and print suppliers accept directly.
Brand-sized palettes
4 to 16 colors covers almost every mark, and a tight palette flattens the compression noise a JPG logo picked up along its edges.
Client work stays private
Logo files are processed for the conversion and discarded. They are not added to a library or reused for anything else.
FAQ
